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Charlie Gets His Groove On

From today's TV listings:

Charlie Rose
Music producer Brian "Danger Mouse'' Burton [left]; Jack and Meg White of the White Stripes.


Nice! I'll be tuning in for sure (the White Stripes segment, incidentally, is a repeat). Charlie Rose airs in Seattle weeknights at 12pm on KCTS. When I get the chance, I'll post a few excerpts from last week's Rolling Stone interview with Mr. Mouse and pal Cee-Lo. In the meantime, here are some pics of the man himself plus the cartoon character [above right] from whom he took his name. (Does this make Cee-Lo Penfold...?)

Note: Pictures from Google Images.
Why I love André 3000...
and the Hives

From an interview with André "3000" Benjamin (Outkast) in the 9/7/06 issue of Rolling Stone.

Austin Scaggs: Was there a show that changed your life?

André Benjamin: I wouldn't say it changed my life, but a while ago I flew to New York just to see the Hives. My flight was late, and I didn't get to see but the last twenty minutes, when they played every song I loved. At one point they were jamming so hard, and then right on cue they all stopped. They held their pose for at least a minute. Nobody moved, sweat was dripping and they were like statues. They didn't have to play shit, and the crowd was going crazy. When they cranked it back up, the show went to a whole different plateau. The crowd went nuts, nuts, nuts! I wouldn't have written "Hey Ya!" if it weren't for the Hives.

Austin Scaggs: Are you with me on this: "Hey Ya!" is the best song of the twenty-first century?

André Benjamin: Jesus. I don't know, man. That could be argued by a lot of people.

Austin Scaggs: Can you think of anything better?

André Benjamin: No.

[On the subject of punk, Benjamin adds, "I went crazy over the Ramones, the Buzzcocks and the New York Dolls. Bad Brains,
to me, is the best punk band in the world."]

Hey Ya

One two three!

My baby don't mess around
Because she loves me so
And this I know for sho'
But does she really want to?
But can't stand to see me
Walk out the door
Don't try to fight the feeling
'Cause the thought alone is killing me right now
Thank God for mom and dad
For sticking two together
'Cause we don't know how

Heeeyyy Yaaaaaaa... [8X]

You think you've got it
Oh you think you've got it!
But got it just don't get it
'Til there's nothing at
AaaaaaaaAAAAAAAaaaaaaAAAAAAaaaaaallllll
We get together, oh!
We get together
But separate's always better when there's feelings
InvooooooOOOOOOOoooooooOOOOOOooooooOOOOOlved
If what they say is "Nothing is forever"
Then what makes?
Then what makes, then what makes, then what makes, HUH!!!!
Then what makes love the exception?
So why oh? Why oh? Why oh? Why oh?
Are we so in denial?
When we know we're not happy here?
Y'all don't want me here you just wanna dance

Heeeyyy Yaaaaaaa... [2X]
Heeeyyy Yaaaaaaa... (Don't want to meet your daddy, oh oh)
Heeeyyy Yaaaaaaa... (Just want you in my Caddy, oh oh)

Heeeyyy Yaaaaaaa... (Oh Oh, don't want to meet your mama, oh oh)
Heeeyyy Yaaaaaaa... (Just want to make you cumma, oh oh)
Heeeyyy Yaaaaaaa... (I'm just being honest! oh oh) [2X]

Alright now fellas! (YEAH!)
What's cooler than being cool?
(ICE COLD!!!!) I can't hear you!
I say what's cooler than being cool??
(ICE COLD!!!!)
Alright, alright, alright [2X]
Alright ladies! (YEAH!!!)
We gon' break this thing down in just a few seconds!
Now don't have me break this thang down for nothing!
Now I wanna see y'all on y'all baddest behavior
Lend me some sugar! I am your neighbor, aaaah! Here we go!!!!
Shake it! Shake, shake it, shake it (Oh oh)
Shake it, shake it, shake, shake it, shake it, shake it (Oh oh)
Shake it, shake it like a Polaroid picture, shake it, shake it
Shh- you got to, shake it, shh-shake it, shake it, got to shake it
(Shake it, Suga') Shake it like a Polaroid picture!

Now all Beyonce's and Lucy Lui's
And Baby Dolls get on the floor!
(Get on the floor)
You know what to do! [3X]


Heeeyyy Yaaaaaaa... (Oh oh) [3X]
Heeyy Yaaaaaaaa... (Uh oh, hey ya)
Heeeyyy Yaaaaaaa... (Oh oh)
Heeyy Yaaaaaaaa... (Uh, uh, oh oh)
Heeeyyy Yaaaaaaa... (Oh oh) [twice to fade]



Endnote: Why does it still surprise me when a major hip-hop artist proclaims their affection for an alternative rock group (independent or otherwise)? Why should this seem so strange...and so cool? After all, I rarely blink when alt-rockers praise rappers (mainstream or otherwise). I guess it's because the love continues to flow more one way more than the other. Reminds me of the time my friend Glenn mentioned running into Q-Tip at a U2 concert; what can I say, I was surprised.



Speaking of which, one of the better "Hey Ya" covers is by Seattle's Supersuckers, while the Raconteurs have been covering Gnarls Barkley's "Crazy" on tour. Granted, everyone and his brother is covering "Crazy" lately--and I wouldn't call the soulful track "hip-hop"--but every bit counts. Meanwhile, Outkast's Bryan Barber-directed musical, Idlewild, opened nationally on 8/25. Reviews have been mixed--Stephanie Zacharek loved it, Michael Atkinson liked it, Manohla Dargis hated it. (I liked it.) André image from the AMG, Idlewild images from the IMDb, lyrics from Lyrics007.
Three by Two / Two by Three

The Tyde, Three's Co. , Rough Trade (8/29/06 release date)

That isn't a typo. It's Three's Co., not Three's Company. The album is their third, following Once (2001) and Twice (2003). There are five people in the LA band, including three Rademakers: Darren (vocals, guitar), wife Ann (keyboards), and brother Brent (bass, backing vocals) from Beachwood Sparks. The quintet is rounded out by Ben Knight (guitar) and Ric Menck (drums). I would imagine they've heard a few Beach Boys and Zombies LPs in their time as Three's Co. is breezy pop with a psychedelic edge.

Mostly, the Tyde reminds me of the Jesus and Mary Chain, but without all the feedback (over the years, they've also been compared to Felt and Lloyd Cole & the Commotions). These 13 tunes are light, bouncy, and mid-tempo. Two of the best are remixes: James Figurine adds beats to "Glassbottom Lights," while Nobody lends "Don't Need a Leash" some much needed attitude. I tried to work up some enthusiasm for this record, I really did--"Ltd. Appeal" and the remixes came close--but I just couldn't do it. Three's Co. is pleasant, professional...and a little dull.

Thunderbirds Are Now!,
Make History, Frenchkiss (10/3/06 release date)

TAN! singer Ryan Allen [right] has occasionally been described as a girl--his singing, that is. Apparently, he doesn't mind. That's a good thing, as he doesn't sound particularly masculine on the band's third full-length. "Androgonous" is probably a better word; sometimes he sounds feminine, sometimes not. But his quartet isn't dishing out sexually ambiguous Antony and the Johnsons-type tunes--not that there's anything, well, you know--but rather angular, post-punky guitar stuff. They hail from Detroit, but don't sound like any other Motor City crews with which I'm familiar.

The group has also noted that if they were based in Brooklyn, they wouldn't be attracting as much attention. They've got a point. To quote the title of track six: "Sound Issues/Smart Ideas." (Or as the Saints once put it, "Know your product.") For New York--especially Williamsburg--Make History might not seem so original. For Detroit, it does. That said, it isn't a bad record. In fact, it's pretty good. Based on the press for Doctor, Lawyer, Indian Chief (2002) and Justamustache (2005), I was expecting something akin to Gang of Four-meets-Bloc Party, but there's a fair amount of power-pop here, and I hear more Cheap Trick than Go4. Worth a listen.





Endnote: Tyde buttons from their official website, TAN! images from Frenchkiss Records (Eric Emmons credited). Tyde trivia: "Brock Landers" features Conor Deasy from the Thrills, Rick Menck is a veteran of Velvet Crush and Matthew Sweet, and Ann Do Rademaker also plays with Gwen Stefani's touring band.
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It's All Too Much

Too much information
running through my brain
Too much information
driving me insane.
--The Police, "Too
Much Information"

*****

It's all too much for me to take.
-- The Beatles, "It's All Too Much"

*****

I have too many CDs, DVDs, books, and magazines (mostly back issues of Vanity Fair and Sight & Sound). I don't have too many records, tapes, videos, and seven-inch singles. That's mostly because I don't buy the latter so much anymore.

As for the former, I purchase several forms of these media every month (and subscribe to several magazines). I also review a lot of stuff. If I'm writing about a title, I don't have to pay for it, which is great. Finding space for all the new arrivals is not so great.

Once upon a time, the space under my bookshelves was empty--a cat could easily hang out there (and did!). My kitchen counters, desk, and hallway also used to be free of clutter. No more. I've taken to piling books on one of the counters (and the bar that divides the kitchen from the rest of the apartment), new CDs next to my computer, and old magazines near the front door.

I'm a neatnik, so it's not as bad as it sounds, but sometimes I wish most of it was gone. My square footage is modest. (To say the least.) The more stuff I aquire, the more "modest" it becomes. A few years ago, I sold all the stuff I thought I could possibly part with, mostly singles and CDs I never listened to. It felt good. But once I was finished, I was finished. There was nothing else I could imagine selling.

So, I'm left with a lot of stuff, a lot of great stuff I'm always willing to loan to friends. But there aren't many titles I actually re-visit myself. I mean, I have so much new material to explore each month that I don't have time to re-watch favorite movies or re-read favorite books. Yet I can't part with any of them, because I know they're good, and I like knowing they're there.

In theory, though, it's pretty weird. I can understand having a sentimental attachment to a few items, like a childhood toy or photograph or piece of jewelry, but hundreds of compact discs? Hundreds of digital video discs? It seems ridiculous, and yet I know there's nothing unique about my predicament: I have too much stuff, I don't have enough space. It's the American Way.

It could be worse. I could have nothing, I could have no space at all. No space for me, the cats, the clothes, and all the other detritus that surrounds me. And defines me. And comforts me. And crowds me. I'm thankful for everything I have. I really am. But whenever I can't find a space in which to store some new acquisition...I wish I weren't so damned sentimental.

*****

It's too much.....It's too much.
-- The Beatles (driving the point home)



Endnote: Lyrics from Sing365, Andy Warhol images from Easy Art. Lola, as in the Kinks song, looks a little like 1956's "Untitled (Green Cat)," except she is not, well, green. Naturally, I own a copy of Cats, Cats, Cats. I purchased it from The WarholStore.
Five Random Observations
...or Five Signs of the Apocalypse?
You decide.

Either everything I like
is going mainstream
or the world just got a
whole lot cooler.

*****

1. The first thing I heard when I walked into Anthropologie
last weekend? "Bat Macumba" by Os Mutantes [above left].

2. Then, while strolling past Barneys New York,
I spotted a [Serge] Gainsbourg T-shirt in the window.

3. Five minutes into Miami Vice, the Felix da Housecat "Heavenly House" mix of "Sinnerman" hits the screen. Sure, David R. Ellis (2004's Cellular) beat Michael Mann to it, but it's still Nina Simone. (Then he has to ruin the effect with those godawful Audioslave tracks.)

4. Belle and Sebastian, the New Pornographers, and Cat Power
are now part of the in-house soundtrack at Nordstrom.

5. A model is reading Camille Paglia's Break, Blow, Burn
in the latest Anthropologie catalog.







Endnote: Yes, I mentioned Anthropologie twice. What can I say? I love that store. Number five, incidentally, isn't meant as an endorsement of Paglia. I haven't read any of her books, just her articles--especially those concerning Madonna. I also recently caught Ellen Forney's live version of "My Date With Camille Paglia," which both reads/plays a bit like Waiting for Godot. But funnier. As for that Gainsbourg T-shirt, I had to have it, so went in search of my size. Barneys was out, so they ordered one from another branch... Images from Light in the Attic and Wikipedia.
Alone Again (Or)

Arthur Lee, one of the finest singer/songwriters of the psychedelic--or any--era lost his battle with leukemia on 8/3/06. There isn't anything I can say about Lee that hasn't already been said. More importantly, his songs speak for themselves: "My Little Red Book,"* "Signed D.C," "Seven & Seven Is," "AndMoreAgain," etc. So here's something Robyn Hitchcock wrote about the man. The composition appears on his 1993 album, Respect.

*****

The Wreck of the Arthur Lee

The wreck of the Arthur Lee
Will never return again
Never return again

The captain and all his men
Went up and jumped overboard
"Jesus is Lord," they cried

Believe in love!
Believe in love
And I'll believe in you

The missing Avenger planes
Will never return to base-
don't you wait up for them

How often have you boys said
"I ain't gonna bump no more."
"We ain't gonna bump no more."

Believe in love!
Believe in love!
And I'll believe if you'll believe in me
I got home
There was nobody there
Just the phone
let it ring in the air
But it's home

[trumpets]

The wreck of the Arthur Lee
Will never return again
Never return again

*****

Okay, I realize the title is a tad misleading, since "wreck" usually implies "waste," and that the words work better when set to music, but they're the first ones that came to mind when I heard about Lee's passing. For me, the key part is [trumpets]. Few musicians, Miles Davis aside, knew how to hip-ify that humble brass instrument quite like Mr. Arthur Lee.

Ironically, it was band member Bryan MacLean (1947-1998) who penned the mighty "Alone Again Or," which has come to be seen as Love's signature number. Lee was involved with its creation, of course, but I would hate to see anyone deprive MacLean of this crucial credit. (Please click here for the full details.)





Endnote: "My Little Red Book," one of Love's biggest hits, was written by Hal David and Burt Bacharach. Then again, Harry Nilsson's highest chart-toppers, "Without You" and "Everybody's Talkin'," were also written by others. The pop marketplace is a funny thing. Lee image from The Love Society (Tom Sheehan credited), band image from the AMG. Arthur Lee was 61.
Smiley Faces Sometimes

The gent to the left is a Barkley. He isn't the Barkley in question. So yeah, "Gnarls" is a horrible name--Charles is classier--but what can ya do. To quote the Bard, "What's in a name? To quote Gnarls Barkley, "Who cares?"

Last week, I forwarded the following video to almost everyone I know. On the off-chance you haven't seen it yet, here 'tis. It's basically the history of pop music with Dennis Hopper, who appears on the Danger Mouse-produced Demon Days, and fellow former child actor Dean Stockwell as "hosts." In a nice bit of synchronicity, both starred together in Blue Velvet [above].

The Gnarled Ones, meanwhile, play a couple of Zelig-meets-Forrest Gump-type characters, always there whenever anything of note is going on in the world of pop. My favorite bits? The Gnarlston! And the Groovy Purple Dirigible! I could go on...



Granted, I haven't seen many videos this year, but "Smiley Faces" must surely be among the best. It's also one of my favorite tracks off my favorite record of 2006: St. Elsewhere by Gnarls Barkley.

I thought everyone knew about this dynamic duo and their chart-busting debut--number five, last I checked--but my friend Mark recently set me straight. He's been busy doing the grad school thing and had no idea who these guys were or what they're about.



For anyone else out of the loop, Gnarls Barkley is Danger Mouse (The Grey Album, The Mouse and the Mask) and Cee-lo Green (Goodie Mob, Dungeon Family). St. Elsewhere is their first full-length. Since its release, they've been touring like crazy and have made several late night TV appearances (I caught two; both great).

The duo has different outfits for each gig--robes and shower caps, scrubs and stethoscopes, etc. They also dress as characters from The Wizard of Oz, A Clockwork Orange, and Napoleon Dynamite. It's too soon to say whether their funk-fueled vehicle is built to last. For now, they're having fun. And the fun is infectious.

*****

I want to leap whenever I see you smiling
Because its easily one of the hardest things to do
Your worries and fears become your friends
And they end up smiling at you.
-- Gnarls Barkley, "Smiley Faces"



Endnote: Charles Barkley image from Yahoo!, Blue Velvet image from New Video Film, and video from YouTube. If it won't play, please give the official Gnarls Barkley website or their MySpace page a try. As usual, I had little luck adding images, so finally had to throw in the towel on including any photos of Danger Mouse and Cee-lo in all their finery. If this keeps up, I'm gonna start posting sans pics. Thanks to Bill for the tip about this fine video.
 
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